Paul Arditti
Paul Arditti’s sound designs include Never So Good, Happy Now?, Saint Joan, Market Boy and The President of an Empty Room at the National; The Pillowman at the National and on Broadway (Drama Desk Award for Outstanding Sound Design 2005); The Permanent Way for the National and Out of Joint; The Crucible for the RSC and Gielgud Theatre; Trade for the RSC and Soho Theatre; As You Like It for the RSC and Novello; Mary Stuart at the Donmar and in the West End; Enemies and Blood Wedding at the Almeida; Festen at the Almeida, in the West End and on Broadway (Evening Standard Award for Best Design 2004 with Ian MacNeil and Jean Kalman); Tintin for the Young Vic at the Barbican; Sleeping Beauty for the Young Vic, Barbican and on Broadway; Cruel and Tender for the Young Vic, Vienna and Chichester Festivals; Six Pictures of Lee Miller and Just So at Chichester; A Girl In a Car with a Man at the Royal Court; and Billy Elliot at the Victoria Palace (Olivier Award for Best Sound Design 2006).
PERFORMANCES
